R.I.P. Kevin
Thursday, 21 February 2013
Thursday, 14 February 2013
Kick #3, 1980
“The vagueness
of our discontent is the mark of its permanence”. Ahhh, it’s refreshing to come across a choice Orwell quote as a foreword to this fine
fanzine. To be clear though, vagueness does not appear to afflict the Kick
organisation’s enthusiasm for the spirit of Punk – that enthusiasm being particularly
evident in Richard Cabut’s input here – itself bolstered by contributions from
Anne Crawford, Chris Gibson and Lill (“if you’re reading get in touch”). Kick
#3 sees The Fall, Bauhaus (David Jay), and Pneumania interviewed; gigs by This
Heat/The Elevators, Simple Minds/Martian Dance/Wasted Youth, and UK Decay/The
Wall/The Dark reviewed. Richard Cabut and Lill offer brief essays on Punk in,
Occult Chemistry and A Rather Suss Piece on Punk & Life Thru a Foreign Punk’s
Eyes respectively. Luton Punks sneaks a peek at UK Decay, Pneumania, Statics,
Urban Warfare, Cinematix, Nervous Surgeons, Project 4, Dresden Maniacs, The
Mandies and The Demons. There’s no playlist! Thank Clapton then for the short
fanzine round-up and props to Better Badges, without whom (the inestimable Joly MacFie) many of the fanzines posted thus far on ee may never have come into being let
alone enjoyed such a wide distribution. I tell ya, a proper celebration of BB
on ee is well overdue. In the meantime, if you haven't seen it already, you’ll
enjoy this excellent BB article.
A4 scanned at 600 dpi
Wednesday, 30 January 2013
Sunday The 7th #2, 1981
Following Bubs' departure Sunday The
7th became largely a sole effort by Martin "Cobby" Cobb, though Bubs does contribute...and Paul does too, er, so that’s clear enough then. Anyroad, there’s no
doubting the quality of this 32 page bristling blighter! Featuring: profiles and interviews with Vice Squad, Toxic Power, The End (Matt McLeod, Trev
A. Beckett, Ann Dee Martian, Zoff and Gary) + a plug for Sunday The 7th house band, Primal Chaos. Other interviews with: Chelsea’s,
Gene October (an interesting comment from Gene on being asked about the
frequent line-up changes could have come straight from M.E. Smith’s mouth,
uncannily so really); and a decent 2 part interview with UK Subs’, Steve
Roberts and Nicky Garratt, the latter proving particularly illuminating. Elsewhere
there’s a delve into the Tribal Warfare issue; a rather astute look at TV, the
press and advertising in Don't Believe the Media Lies; 6 Minute War warns about
cruise missiles, and a review of The War Game in Banned by the BBC. Opinions has
contributions from Bubs, Richard and Michelle with poetry and points of view
about war and work + Ann Dee Fucking Martian holds fourth on The Anarchist
Dilemma (and just in case a shitstorm kicks up about certain elements therein,
just remember, I DIDN'T WRITE IT, OK?!). There are no record or tape reviews but
Cobby does offer a snappy little rationale for eschewing such fripperies – though
there are a couple of live reviews of UK Subs/Chelsea/Stiffs/Anti Pasti, and Vice
Squad/Anti-Establishment + a neb at a few fanzines, some collage and Discharge lyrics. Good stuff!
Tuesday, 22 January 2013
UrBAN D.K. #3, 1983
101? Now there's a number with which to conjure! Here in UDK #3, Dubliners, Freud Eggs, Mick Kennedy, Mairead Mullins,
Pete the Roz and Art O'Leary rustle-up: With the Same Fervour with which We Came
We Plough the Earth; Biased Reviews (LPs: Pillows & Prayers Comp, Dambala); a profile of Max (Marion Woods, Ingmar Klang, Conor Kelly & Johnny Byrne); interviews with Virgin Prunes and Crass (postal jobby with Penny). 12 pages. Job done!
A4 scanned at 600 dpi
Friday, 18 January 2013
Between The Lines #1, 1979
Not a straight-forward
fanzine at all really – more a thoughtzine in which Anna, with recourse to
writings from elsewhere, shares with us her inner machinations. Sure, there are
interviews with Gloria Mundi and Poison Girls but those are resolutely of the
searching variety –there’s barely a whiff of the, “what’s your favourite
colour” school of interrogation. As was standard with Poison Girls, Anna’s
encounter with Richard and Vi is particularly illuminating – more discussion
than interview as we witness the subject and host on an equal footing. Anna’s
ruminations on Thinking and Thoughts are ably bolstered by contributions from
Di and Abe, along with: poetry from D. H. Lawrence, Jackie, John Betjeman and Wilfred
Owen; a short extract on Swearing from George Orwell’s, Down and Out in Paris
and London; and a reproduction of the widely distributed CND Leaflet, No More
Hiroshimas. I've noted this as issue 1 though I understand it is in fact a one-off. All told, Between the Lines is a real gem.
A4 single and
double-sided scanned a 600 dpi
To compliment this
post I’m uploading a recording of Poison Girls live in Leeds. The recording was
made by Troy Bunn. Troy happened to be an inveterate bootlegger and was often
to be found rooted to a spot throughout the proceedings of many a gig
frantically hushing any approaching souls with a finger to lips gesture lest
any intrusive natterings spoil his recordings. Sadly, most of Troy’s live tapes
were lost to a rash bout of recycling during the nineties but those that survived
- including 2 more PG’ sets - will appear here eventually. This is a reasonable bootleg though those aurally delicate types may need to allow their lugs to adjust to the slight coarseness of the recording quality - the songs however remain as beautiful as ever.
Where’s The Pleasure?
Are You Happy Now?
Underbitch
Too Close For Comfort
Old Tart’s Song
Rio Disco Stink
Cry No More
Too Proud
Tension
Total Exposure
One Good Reason
Cream Dream
Persons Unknown
State Control
I’ve Done It All
Before
Tuesday, 1 January 2013
Situation Vacant #2, 1978
Here we go, the first
for 2013 and it’s “Derby’s first new wave mag”! Worth noting that the Situation
Vacant editorial team, Martin Roper, Russell Maw, Dugi Bell et al would go on
to form Anti Pasti. In this issue of SV we have: interviews with Sham 69 and
The Adverts; Seven Inchers – TRB, The Only Ones, Ian Dury & The Blockheads,
The Radiators From Space, Magazine, XTC, Buzzcocks, Penetration; Larger Vinyl –
The Only Ones, Buzzcocks; live – The Vibrators, Cherry Vanilla, Anti Nazi
Carnival (X Ray Spex, Patrik Fitzgerald, The Clash, Steel Pulse, TRB, 90°
Inclusive; Charts + a 1 page ad for The Skids.
A4 scanned at 600 dpi
Tuesday, 11 December 2012
Printed Noises #2, 1979
The 60c
pencilled top right corner on the cover of this Printed Noise hints at a journey
across the Atlantic and back to finally reside just across the Pennines from its
Chorlton-cum-Hardy home. There’s a fine assemblage of bands for this second
issue with Martin Clayton and Dirk R.E. Matrix interviewing A Certain Ratio, Joy
Division (a choice typo has Peter Hood on bass! Rob Gretton gets his tuppence
in, and bless Ian Curtis for exclaiming, “fanzines, you are the future of the
world”),and The Teardrop Explodes (Julian Cope in comical messianic mode and Mick
Finkler recalls Wire – just as Gretton did – just as Charlie Chainsaw did....).
There’s an article on The Mediators and Manchester for Beginners puts the spotlight
on venues (just the Factory and Band on the Wall really + a mention of City Fun fanzine Ed., Andy Zero reopening The Mayflower as Fun House). Modern Life, Modern Man
& the Future offers a schematic for survival + PN’ take on the playlist with their Trendy/Matrix Earlists. Admirable.
A4 scanned
at 600 dpi
Wednesday, 5 December 2012
Chainsaw #5, 1978
It's Chainsaw time again! Here's issue 5 of Charlie
Chainsaw's smashing fanzine. Replete as ever with Charlie's charming comments. The editorial notes the move to double-sided printing and promises, “if I make a profit on this mag I’ll
use it to get the bleeding N fixed!”. There’s a fetching snap of Charlie by Jon
Romney of Negative Reaction fame and Mr. Chainsaw tells us that the rest of the photos were
self-shot using his recently acquired “Boots Beirette that cost £12 new (good eh?)”
– how sweet... Anyroad,
Chainsaw #5 features: an interview with The Users; Money Corrupts discusses the
allure of major labels, photo-fit punks, the “absolute bullshit” nature of the “New
Wave” scene and offers props for Wire and Siouxsie & The Banshees; live
reviews of The Soft Boys, Squeeze, The Boys/The Force, Slaughter & The
Dogs, Siouxsie & The Banshees; LPs -
Live at The Roxy comp (Wasps, Mean streets, Neo, Bernie Torme, Art Attacks,
Suspects, Maniacs (the Art Attacks review is ace - “it just sounds like a singer
with a Northern accent, with a distant rumbling...”)), Raw Deal comp (The Users,
Raw Sewage Co., G.T.s, Bloodclots, Sick Things, Psychos, Killjoys, Zhain); 7”s –
Magazine, The Wasps, Devo, Blitzkrieg Bop, The Panik, Metal Urbain, Chelsea,
The Pigs, Sham 69, Alternative TV, Menace; a review of Julie Davis, Punk; a
short article on Charlie’s band, The Buttocks and neat ads for The Panik and
Johnny Moped. Oh, and we mustn't forget Willie D’s Hitler’s Kids cartoon...HACK!
A4 scanned at 600 dpi
A4 scanned at 600 dpi
Tuesday, 27 November 2012
NN4 9PZ #4, 1980
It has a dead swanky textured cover does issue 4 of NN4 9PZ; a lovely accompaniment for its sterling internals. Excellent work all around sees Chris, Mick, Neil, Tim, and Alan interviewing UK Decay, and Killing Joke (it must be said, the favourable write-up of the KJ encounter shows astonishing goodwill on NN4 9PZ' behalf). There's a mini-feature on Bauhaus; live reviews of 999/Pinpoint, The Zeros/Bauhaus/UK Decay, Antibodies, Killing Joke, UK Decay, The
Crew/The Zeros/The Russians, Bauhaus/The Scars, Athletico Spizz 80; poetry from T. Sheppard, and a couple of interesting letters pages (T42 Seaman Stockton (Eklektik) corresponded), along with some of Chris' thoughtful responses. Of course there's the obligatory Playlist and a brief fanzine
round-up. Pleasing indeed.
A2 scanned at 600 dpi
Monday, 19 November 2012
Adventuring Into Basketry #2, 1981
Here's an actual request fulfillment - issue 2 of Neil Burrows' and Andrew Hulme's AIB (featuring contributions from Monica Bryce, Jonathan Tait, Anna Watson, and Roger Horberry). A wonderfully well-rounded fanzine, issue 2 sees: interviews with Pigbag, The Raincoats, The Comsat Angels, Crispy Ambulance; Submerge Funk One and Submersibles Funk Two focus on "funky Music" (Haircut One Hundred, Heaven 17, Level 42, Blue Rondo A La Turk, Spandau Ballet); reviews of LPs - David Thomas & The Pedestrians, Dislocation Dance, The Diagram Brothers, WNW6 compilation (Artery, Out On Blue Six, The Pinkies, The Room, Dr. Mix & The Remix), Matt Johnson, Depeche Mode, Girls At Our Best, New Order, Ian Dury, Poison Girls, Jowe Head, Richard Earl - 7"s- Method Actors, Vivien Goldman, Lora Logic, Virgin Prunes, Girls At Our Best, Fallout Club, Pigbag, Scritti Politti, Rip Rip & Panic, The Associates, 23 Skidoo, The Cure, Dif Juz, Cabaret Voltaire, The Comsat Angels, John Marlon, Blackouts, Stephen Mallinder, Dance Chapter, Artery, A Certain Ratio - Gigs - Depeche Mode/Blancmange, Linx, Orchestral Manoeuvres In The Dark, Altered Images, Rip Rig & Panic, Heaven 17; and Spitfire Parade (that's the AIB playlist in Basketmaker's parlance). The lovely lot of it neatly squeezed into 12 perfectly formed pages...hear me hear me - heaR ME HEAR ME!
A3 folded scanned at 600dpi
Saturday, 3 November 2012
Dry Rot #1, 1979
"AT LAST" indeed! This Dry Rot is a firm favourite of mine - just one of a handful of exceptional items I've been holding back. Produced by Rob Callous from the fabulously low-fi D.I.Y. stalwarts, Six Minute War. As far as I know 3 issues of Dry Rot saw the light. There's no flashy front cover for this fanzine, it just gets right on down to brass tacks from the get go with news on Proles, The Unknown, Riot/Scrambled Acne, Benny Normal, Doggy Ryan, Belgrade, The VDUs, Dyno Rod, The Red Plague, Crass. Great interviews with The Epileptics, Crisis and Crass. Live reviews of AD 1984, The Administrators/The Leopards, Brockwell Park including Stiff Little Fingers/The Verdict/The Spoilsports, Spizz Energi/The Last Words, Splodgenessabounds, Graf X/The Mass/The Licks/Klingons. Featuring Dummy, starring Captain Armpit, Shag Nasty, Mekons (selling out to Virgin), and Manicured Noise + Rob's charts (top and bottom 20 of 1979). Excellent stuff!
A4 single sided scanned at 600 dpi
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