Sunday, 12 February 2012

Peroxide #1, 1979

Licensed Shit

Oh yes, it's another cracker. Quentin 'Norman' Cook's, Andrew Thomas' and Ian Laidlaw's Peroxide ticks all the boxes offering practical advice, good writing, neat layout, great use of graphics, cool photos and multiple entreaties for punters to get involved. The 2nd and last issue acknowledges the encouragement and input from fellow fanzine writers so I'll be sure to post that at some point. Really, the only downside with this smasher is that only 2 issues saw the light. Issue 1 is packed with entertaining interviews and articles (the thorough 'what to do with a demo' piece must have proved very useful to budding bands and musicians). Elsewhere we have: decent inteviews with Adam Ant, Toyah, The Merton Parkas; Rough Trade records in profile; an essay on factional violence; 7"s - Essential Logic, The Plastics, Delta 5, Dr Mix & The Remixes, Scritti Politti, Cabaret Voltaire, The Mo-Dettes, The Monochrome Set, Spizz Energi, Harry J & The Allstars, Madness, Booker T & The MGs, Lena Lovich, John Foxx, Riff Regan, The Special AKA, Simple Minds, Wreckless Eric, OMD, and Toyah; LPs - Talking Heads, and Adam & The Antz; Live - Dave Edmunds, Nick Lowe and Rockpile; a report on the Sid Vicious Memorial March; Peroxide charts + news on the Antz' defection to Bow Wow Wow. Penultimate page purposely blank. A right beaut'! 

A4 scanned at 600 dpi      

Tuesday, 31 January 2012

All The Poets





This poem is acting.....
It's pretending it's important.
It's all swagger and bluff.
This poem does not realise
appearances are not enough -
It's got to MEAN something
whether it's whispering or screaming!
This poem does not have a heart
just a minimal calculating brain
getting away with masquerading tricks
which it uses time and time again.
Too many poems are murdered by posing pens
which stab like knives - Penknives!
That's a clever literary joke
hiding the fact that this poem has no life!
This poem could be screaming blue murder
at all injustice and inequality
but it gives out not a murmur........
This poem is devious;
It's content to have no relevant content
It's just sitting on the fence
and if it did have a message
it wouldn't make any difference;
who listens to poetry anyway?
It's only preaching to the converted.
Poetry won't change anything -
those who do not choose
to hear the whispers and screams
can ignore the truth and rage
by not even opening the book
to see the seething page.
SO THIS POEM DOESN'T EVEN TRY -
and if this poem was torn up, burnt, destroyed!
It would be no real loss
because this poem has given up -
It just couldn't give a toss!
Peter Campbell
 
I reckon that sets the tone of this post nicely. Atilla The Stockbroker thought it a suitable salvo too - it being the opening poem in his ripping Tirane Thrash. You'll find issue 1 of that caustic zine below along with a teeming trove of rantabulous delights. I've tried to cover the broadest range of poets & ranters as possible and barring the inevitable slippages from my crowded-out memory I've accounted for all those I can remember. Mark Schlossberg's, All The Poets lends us our title and given the alphabetic listing kicks us off in considerable style. Obviously there had to be some John Cooper Clarke and it must be said, Barney Bubble's JCC Directory 1979 is a brilliant publication. Naturally, influential stuff from Andy T et al is well accounted for. At any rate the anarcho strain of poetry had a huge impact on yours truly. Mick Turpin's, Another Day Another Word partially covers the Skinhead poets - excellent examples of which can be heard on the early Oi LPs, with Garry Johnson perhaps being the exemplar in the field (imo). True, the bulk of material here is testament to the virulence of the ranting rash that spread throughout the UK between '81-'84. Additional to the charmingly threatening cast of well-known ranters there ought to be a passing nod to the innumerable individuals taking to the nation’s stages for impromptu performances - some nervously wielding hastily scrawled screeds and others with just a head full of anger and a tongue willing to tell it straight. It’s probable that most cities and towns had unrecorded outbreaks of the ranting bug. To illustrate, Bradford is well represented here, boasting as it does such luminaries as Seething Wells (RIP), Nick Toczek, Joolz, Little Brother, and Wild Willy Beckett (RIP). But off the top of my head I can also cite from that fair City Rudi the Poet, Tony Palmer, and Jacko as incessant ranters for whom little or no documentary material remains. So this is in no way an attempt to anthologise the whole of the ranting movement - that'd be as preposterous as trying to record the entirety of fanzine output. As ever, contributions most welcome. Thanks to Andy T. 

All The Poets #1, 1979
Great one here from Mark Schlossberg, Billy Carless and John Tottenham. Worth noting, Mark had an earlier hand in  Skum fanzine circa '77. Three issues of ATP saw the light between '79-'80. I also have issue 2 which will appear here eventually.

Andy T Poems, 1981
Andy T's contributions to the Bullshit Detector compilation hugely influenced me and the kids around my neck of the woods. The Weary of the Flesh 7" for Crass Records saw Andy hitting a striking stride with a simply startling collection of poetry. All of that and more is collected in the thrumming pamphlet, Andy T Poems. The second of these publications is a seriously classy affair and is something of a collective effort featuring great collage work alongside the poetic contributions from Andy, Claire, Pam Demonium, Sioux, and Lee (see Anathema #1, Anathema #2, and Spitting Pretty Pikktures for a fuller view of Lee's impressive output). A right belter I tell ya! Andy remains vitally active as ever - catch him if you can.

Another Day Another Word, 1982

'Welcome to Another Day, Another Word. Hope you enjoy reading it because there's been a lot of hard work gone into it. Originally this fanzine was just meant to be a showcase of Mick Turpin's - Merseyside Poet - work (though at least half the poems in this fanzine are his). But, I decided to invite a few of the best up and coming poets in the country to contribute some of their work to this fanzine. I personally think that all the contributors here are shedding new light onto a scene that has been dominated by old sixties has beens and more recently John Cooper Clark and Linton Qwesi Johnson who have dominated poetry since the 76/77 Punk explosion. As Swells would say 'RANT AGAINST RELICS' and I hope this fanzine is a little help in giving Poetry/Rant a 76/77 style shake up'.
Mick Turpin

Editor/contributor Mick Turpin; compilation and layout by Al Turner; illustrations by Mackie + contributions from Atilla The Stockbroker, Seething Wells (see Molotov Cocktail for more top flight ranting), The Comrade, Ros Hutchinson, and Mark Scott.

Blaze #4, 1984
'Welcome to the ranting poetry section of Blaze 4, featuring classic works of English Literature from such hallowed and revered scribes as Kool Knotes, Attila The Stockbroker and Swift Nick. We start with a couple from Richard Kool Knotes Edwards, internationally renowned as the man behind the greatest fanzine in the history of the entire universe, Cool Notes - a man strangely obsessed with reggae buses and goats, who has only one major fault - he supports Colchester United!'
Janine Booth

Cool Notes #6, 1982
Cool Notes was Richard Edwards' fanzine and being something of a ranter himself he always a reserved a bit of space for the versifiers. Just a few pages of Benjamin Zephaniah lifted from this issue.

Cool Notes #7, 1983
Again, just delving into this issue of Cool Notes and pulling out half a dozen excellent pages featuring Richards' The Daily Rant, Atilla The Stockbroker, Swift Nick, Bet Lynch, Seething Wells, Koll Knotes, Eric, and Joolz.

John Cooper Clarke Directory 1979
I'm fairly certain this is the first piece of Barney Bubbles to crop-up on EE - which is surprising really given the incredible amount of work BB churned out. Thing is, since BB pretty much never signed his creations it is possible that something has sneaked through uncredited. Anyway, The JCC Directory is a brilliant vehicle for the Salfordian bard's ace poetry and is neatly furnished throughout with Kevin Cummins, Tom Sheehan, and Paul Slattery photography. 

Knee Deep In Shit #7, 1982
Just a couple a pages lifted from this issue of KDIS: Wild Willy Beckett's, Privilege finely illustrated by Joolz; and Joolz in her own write with Latest Craze. 

The Eklektik #2, 1982 
This dark beauty is credited to Sri Dred Nana and Notkotts which I think translates as Andy Palmer and T42 (Freddie 'Seaman' Stockton), both of whom to a greater or lesser degree formed part of Crass. In keeping with Exitstencil Press productions The Eklektik is an exquisite piece. Treat yourself and just luxuriate in its sumptuousness. 

Tirane Thrash #1, 1983

Ahhhh, it's Tirane Thrash, Atilla The Stockbroker's 'Non-boring poetry 'zine' with the decided Albanian bent. Another superb collection of ranters: Nick Toczek, Rowena Tosh, Swift Nick, Rantin' Richie, Rivington Spyke, McGinn, Little Dave, Ginger John, Richard 'Cool Notes' Edwards, 'Bet Lynch', Patricia Macrae Pete Campbell, Pat Condell, Dino The Frog, Seething Wells, Little Brother, Passa Fist, Stephen Schuurman, and Porky's (Phil Jupitus) cartoons. Not Forgetting the Albanian Poetry (Dritero Agnoli, Faslli Canaj, Rezear Xhaxhiu), Albanian Football, Albanian Cookery, Albanian Radio and much more about Albania.
               

Wednesday, 11 January 2012

Negative Reaction #5, 1978

Paul Simonon draws a pistol, takes careful aim, and shoots Richard Hell’s guitarist in the head with a piece of spud – so this is what they mean when they say punk is violent?
I managed to get my mitts on another issue of Negative Reaction and a fine edition it is too. Jon Romney, Wendy Shock, Dave Burnett, Andrew Duncan, Chris Green and Jimmy Olsen offer up some decent interviews with The Clash, Richard Hell, Mink DeVille, and The Soft Boys - all accompanied with Chas Diamond, Ivor Fried, and Sheely Weels' snazzy photos. Elsewhere there are reviews of The Roogalator, Eno, Fast Breeder, Deke Leonard/Iceberg (live); articles on The Zip-Tones (featuring Charlie Chainsaw), Reggae, and Dada; cartoons from Ignatz Ersatz and Jon Romney; charts and a smashing advert for The Art Attacks, I am a Dalek/Neutron Bomb. Completely riveting reading.
A3 folded scanned at 600 dpi

Sunday, 1 January 2012

Allied Propaganda #5, 1981

I think the world is totally fucked up at the moment because there's a distribution problem. There's too much wealth and too much power placed in one solitary area
Paul Weller

Well no change in that respect then, excepting that the divide between the haves and have nots has grown starker - I see no reason to anticipate any change in 2012 - cheery sod aren't I...Anyway, here's a prompt start to the new year with issue 5 of Mick and Ray's excellent Allied Propaganda. Great interviews with The Comsat Angels, The Jam (P. Weller), Modern English, The Cravats, Au Pairs, and Parting Shots; vinyl reviews of Killing Joke, Ski Patrol, The Damned, PIL, The Fall, The Clash, Orange Juice, Delta 5, Blue Orchids, They Must Be Russians, and Josef K; live reviews of The Comsat Angels, Pauline Murray & The Invisible Girls, and Patrik Fitzgerald; news on Killing Joke, The Cravats, Young Marble Giants, and The Raincoats; a decent fanzine round-up; letters; charts + Mick and Ray's playlists. Elsewhere we have Mick on crowd control / nerve gas - quite pertinent today really given the government's green light for the police to use tougher measures in the wake of the recent UK riots - yes, including live rounds - - a word or 2 on fanzine writers turning freelance for more faceless publications and Ray has a quick look at racism on the terraces + some helpful hints about getting gigs and finding booking agents. A right smasher of a fanzine.


Happy New Year
To all ee readers and followers. I'm looking to get a bit smarter in 2012 with more regular posting. Before this month is out I will deliver the poetry special I've had planned for yonks. There'll be a rake of fun competitions and some other nifty treats I have up me sleeve.
May the light of a thousand suns cobble your path through 2012

Monday, 19 December 2011

V Sign #3, 1980

Creative graffitti, the voice of the secret public that those grey people in power would love to silence

There's a pointer back to the last post in this V Sign - editor Les comments on a particular short piece: ‘this bit hasn’t worked, KYPP#2 has some of my feelings put into words but I can’t do that very well – it all sounds too obvious’. Peer referencing was something of a theme and it's one of the charms of these fanzines; the dialogue among them - the encouragement and camaraderie, the barbs, feuds and spats. Les’ caveat aside, the bulk of V Sign #3 is smashing with some quality interviews and extended live reviews. Featuring: Clefts, The Flowers, UK Decay, Lemon Kittens, Martin Atkins (PIL); Live – Joy Division/Killing Joke/A Certain Ratio/Section 25, UK Decay/Pneumania, The Raincoats/Young Marble Giants, The Chords/Bees/Chron Gen; Local Scene Stevenage name-checking Actofed, Brutal Waste, Capital Punishment, Chron Gen, Clefts, Criminal Offender, The Daz, Deranged, Morbid Mindz, False Alarm, Optional Extras, Orange Disaster, Parasites, Rusty Planets, UAP (Unauthorised Personnel), and The Ultimate Universal Destruction [as noted, ‘some might not really exist’] + interesting graphics and ‘meaningless scrawl that doesn’t really communicate’. Ace!  
A4 scanned at 600 dpi
V Sign #3       
   

Monday, 14 November 2011

Kill Your Pet Puppy #1, 1980

I’m so cute and loveable, little do you suspect I’m the first in a long list of instruments designed to teach you to be dependent on useless objects. Enslaving you for a lifetime of obedience to an outside agent that demands you sacrifice your independence to serve – in return I give you dubious security and peace of mind.
Tony D.


Frankly, a no show for Kill Your Pet Puppy would be recklessly remiss of ee. Like R.E.M., KYPP sits comfortably in the firmament of exceptional zines (imo). Aesthetically delightful; every issue of KYPP thrums with colourful appeal, an appellation editor Tony D. nailed thoroughly with his earlier bona fide classic, Ripped & Torn. Undoubtedly, an adept hand was at the tiller here, but as Tony noted, ‘there’s no technique that I used in printing this that you couldn’t do – it’s been put together on the floor with felt pens, glue & scissors’. Ahhh, that good old cut and paste of yore and honest to goodness encouragement to boot. Of course, visual attraction alone does not make for a quality zine and happily KYPP’s vivid palette is easily equalled by the verve and zing of its written content. Anyway, enough of my gobbets, for a far fuller appraisal see the KYPP site here. Also, you can have a look at the full run of KYPP here (there's also tons of fabulous ephemera there for you to feast upon). Excitingly, Tony D. has also made the full run of R&T available here. Topper stuff indeed! #1 of KYPP, compiled in collusion with the Puppy Collective (Val, Brett, Phillipe, and Jeremy) features: Adam & The Antz, Tuinal, Crass (a reproduction of the pamphlet Crass/Poison Girls’ issued after the disastrous Nov ’79 Conway Hall gig + KYPP’s critical take on that event); Jeremy Gluck’s, ‘Pop Fans of The World Unite; and cranking up the Crass quotient, a 1 page Stations of the Crass review. As Tony acknowledged, ‘it’s a bit skinny (18 pages) but at least it’s not padded out’ with crap. Right on!


A4 scanned at 600 dpi

Sunday, 16 October 2011

Rapid Eye Movement #1, 1979

'Are you as paranoid as a lot of your stuff suggests?'


'Paranoid? Oh yeah, paranoya is my life. I've been made that way by other people.'
Patrik Fitzgerald
'
Rapid Eye Movement wasis a brilliant fanzine. Sadly departed R.E.M. ed. Simon Dwyer's inspired delving yielded-up a celebrated corpus sublime. Mining a rare seam, Simon hewed from a fissure where music, politics, culture and the occult converged ('Occulture'); always deftly swerving the decent into accursed obscurantism. He'd go on to do a stint at Sounds and eventually launch 'Occulture' in earnest with the 1989 publication of Rapid Eye vol. 1 - this lavish artefact earned Simon his many plaudits. Of interest here though are the 3 early issues of Rapid Eye Movement featuring collaborators Alan Anger, Mick Dwyer and Lol Loveitt. These fanzines soar way above most other contenders, primarily on account of their searching interviews; check out the in-depth chats with Scritti Politti, The Piranhas (5 pages apiece), Patrik Fitzgerald (7 pages), Tony Parsons & Julie Burchill, and Mark Perry, and you soon get the picture. There's a profile on the Bridge House (Canning Town) namechecking gaffers Tony Murphy, Glen Murphy & Jon McGeady + mentions for Bridge House Records recording artists Rebel, The Tickets, Dogwatch, and a brief review of Mod's May Day '79 comp. There are short pieces on Nicky & The Dots (Simon's bro Nick's band), and Chelsea, which includes a review of The Slab. Elsewhere, reviews of The Flowers, PIL, SLF, The Monochrome Set, The Specials, The Undertones, The Stranglers, Penetration, 999, The Angelic Upstarts, The Damned, Earcom 2 (The Thursdays, Basczax Joy Division), The Merton Parkas, Killing Joke, Stiv Bators, and Pere Ubu + live - The Fall/Scritti Politti/Ian Penman. An absolute pearler!


A4 scanned at 600 dpi

Sunday, 11 September 2011

Aftermath #5, 1980

DAUGHTERS AND SONS
GOT TO SING YOUR OWN SONGS
DAUGHTERS AND SONS
GOT YOUR OWN SONGS TO SING

Tony Medlycott and Bobby Colvill's Aftermath ably gets the job done with snappy articles about The Subhumans, The Stuff, Chaos, Flux of Pink Indians, Cracked Actors, London PX, 22, 000 Flowers, Department S; Words of Truth from V Sign's Les; John Lennon Appreciation by Bob Waterman; interview with Poison Girls' Richard Famous; live reviews of The Nips/Red Rage, The Shout; 7" reviews - The Daleks, Six Minute War, Tenpole Tudor, Theatre of Hate, Throbbing Gristle; full page on The Falls' Grotesque; Religion & Crass; fanzines; Aftermath Top 20 1980 7"s; Plan 9 From Outer Space/Erazerhead & poetry from Bobby Colvill.

Single side A4 scanned at 400 dpi

Tuesday, 23 August 2011

Jamming #9, 1979

I remember my mum said to me, 'you fucking bastard', I thought it was incredible. How many mothers call you that?
Shrink

Jamming editor Tony Fletcher reckons #9 was probably the "best issue ever...in terms of pure fanzine energy and confidence". It's difficult to quarrel with his assessment - but then, every issue of Jamming brimmed with 'energy and confidence'. To be fair, Jamming did lose appeal for me from issue 13 onwards, though I still bought it. #9 is rammed with: interviews - The Jam (The Ultimate Interview + 1 page Setting Sons review), Rudi, The Fall + Dragnet review and 1 page ad, The Pack, The Selecter; local scene report from Sheffield featuring Cabaret Voltaire, They Must Be Russians, Artery, The Stunt Kites, The Negatives, TV Product, NMX fanzine, Marcus Featherby; Ack Ack feature; The New Jersey Scene with The Feelies, Blackfoot, The Royals, Some Guise, WKGB, Paper Men, TV Toy; letters from, amongst others, Mick Mercer and Nikki Sudden; 7"s - Spizz Energi, Glaxo Babies, The Monochrome Set, The Chords, The Atoms, The Fakes, Swell Maps, Materialschlaft, Inner City Unit, The Feelies, The Barracudas, The Door & Window EP2; LPs - PIL (Extra Issue bootleg), Cabaret Voltaire, Avon Calling comp, Essential Logic, The Clash (Sort it Out bootleg); live - SLF/The Donkeys, Speedball/The Vandels/Second Nature/Smeggy & The Cheesy Bits, The Fall/Scritti Politti/Methodisch Tunes/The Music Club; 'And the Radio is in the Hands' featuring a visit to Bradford's Pennine Radio; TF on Tribalism; Fanzine round-up and Jamming Charts. Top quality product!

A4 scanned at 600 dpi

Tuesday, 2 August 2011

Vague #14, 1983

I made a right pig's ear of the last editorial, so this time I'm not gonna bother, this might be the last Vague but you haven't heard the last from us...
Tom Vague


Well it certainly wasn't the last we heard from Tom: Vague's run stands at 64 and counting (1-15 Post-Punk Fanzines, 16-27 Cyber-Punk Manuals, 28-64 London Psychogeography Reports); factor in writings elsewhere, Vaguerants & extensive contributions to the HistoryTalk Notting Hill Timeline, and it's clear, Tom's had his tuppence worth and there's no sign of the man clamming-up yet. Amongst The Vagrants for V14 were Mick Mercer, Steve Rawlings, Ian Death Cult, The Skyboy, Emil Escape, Erica Echenberg, and Tom's Mam. In keeping with previous issues, V14 is a fantastically vibrant article. Eye-poppingly entertaining and infuriating by turns - - it may be Vague but it's never dull. 12 pages are given over to Southern Death Cult - including an extensive interview, 2 page photo spread and a gig by gig review of the 'Fuck the Fat Bastard Tour'. Elsewhere: The Dancing Did; 13th Chime; an address from Danse Society' Steve Rawlings; Pete Scott's, 'Work. N.O. Fuck Work'; Garry Bushell pisstakery, and 'anarcho-glue-punk-zine-negative-bor-inggg-politicoshit' takes a kicking.


Oh, and here's some really great news, Housmans still have V14 in stock at 2 quid a pop! It's a right bargain - go on, snap one up.


scanned at 600 dpi

Sunday, 10 July 2011

Spuno #3, 1980

WELL, NO DOUBT YOU'RE ALL OVER THE MOON TO DISCOVER THAT WE'RE STILL GOING AFTER THREE ISSUES, BUT WHEN YOU CALM DOWN ENOUGH TO TURN THE PAGES YOU'LL REALISE WHAT A WASTE OF MONEY THIS ISSUE REALLY IS - STILL AT LEAST WE'RE TRYING...

Self deprecation was a stock-in-trade for many fanzine producers - probably working on the premise that it's better to stick the boot in on yourself before some other sod sticks theirs in. Anyway, Bath based Spuno (name derived from an inverted Sounds masthead with the initial S dropped) is largely a rake of live reviews, mostly from Bristol Trinity. That said, there's a good range of bands featured: Magazine, Bauhaus, The Photos, Toyah (+ mini interview), Slade/The Rules/Scoop, Crass/Poison Girls, Au Pairs/Essential Logic/John Cooper Clarke/The Pop Group/The Slits/The Raincoats, Adam & The Ants, The Interesting Tents, The Undertones/The Moondogs/Dolly Mixtures, Warhead, Smegma, The UK Subs, The Beat/Motion Pictures/Bim, Electric Guitars/Exploding Seagulls/TV Eye, and Echo & The Bunnymen. Reviews of The Great Rock 'n Roll Swindle, Animals & Men, Any Trouble, Lilliput, Bow Wow Wow, The Toys, The Silver, Hybrid Kids, and Glaxo Babies. + there's charts (local/national), news on Three & a Half Buckets of Water, Scoop, Midnight To Six, Genetic Postman (Zip Guns), and Ultimate Dance. Andy Newman on youth cults; fanzines and poetry. Eric Normal at the helm. 250 copies produced.

A4 scanned at 400 dpi

 Allied Propaganda Issue 2, July/August 1979 Any fanzine is worth checking out if you can spare the time or money, if only for the principle...